Farah Behbehani is a Kuwaiti artist and designer who received her M.A. in Communication Design (Distinction) at Central Saint Martin’s College of Art and Design, London. She is a published author of ‘The Conference of the Birds’, a book based on Farid Ud-Din Attar’s 12th-century Sufi allegorical poem that features a design system exploring the fluency of Arabic calligraphic illustrations. She has also worked on several architectural projects in Kuwait where her module calligraphic designs have been displayed on several buildings. Using Qur’anic verses, poetry and prose, she plays with light and shadow through a maze of letters that draw upon Islamic literature.

Farah Behbehani is a Kuwaiti artist and designer who received her M.A. in Communication Design (Distinction) at Central Saint Martin’s College of Art and Design, London. She is a published author of ‘The Conference of the Birds’, a book based on Farid Ud-Din Attar’s 12th-century Sufi allegorical poem that features a design system exploring the fluency of Arabic calligraphic illustrations. She has also worked on several architectural projects in Kuwait where her module calligraphic designs have been displayed on several buildings. Using Qur’anic verses, poetry and prose, she plays with light and shadow through a maze of letters that draw upon Islamic literature.

Farah Behbehani is a Kuwaiti artist and designer who received her M.A. in Communication Design (Distinction) at Central Saint Martin’s College of Art and Design, London. She is a published author of ‘The Conference of the Birds’, a book based on Farid Ud-Din Attar’s 12th-century Sufi allegorical poem that features a design system exploring the fluency of Arabic calligraphic illustrations. She has also worked on several architectural projects in Kuwait where her module calligraphic designs have been displayed on several buildings. Using Qur’anic verses, poetry and prose, she plays with light and shadow through a maze of letters that draw upon Islamic literature.

Farah Behbehani is a Kuwaiti artist and designer who received her M.A. in Communication Design (Distinction) at Central Saint Martin’s College of Art and Design, London. She is a published author of ‘The Conference of the Birds’, a book based on Farid Ud-Din Attar’s 12th-century Sufi allegorical poem that features a design system exploring the fluency of Arabic calligraphic illustrations. She has also worked on several architectural projects in Kuwait where her module calligraphic designs have been displayed on several buildings. Using Qur’anic verses, poetry and prose, she plays with light and shadow through a maze of letters that draw upon Islamic literature.

Farah Behbehani is a Kuwaiti artist and designer who received her M.A. in Communication Design (Distinction) at Central Saint Martin’s College of Art and Design, London. She is a published author of ‘The Conference of the Birds’, a book based on Farid Ud-Din Attar’s 12th-century Sufi allegorical poem that features a design system exploring the fluency of Arabic calligraphic illustrations. She has also worked on several architectural projects in Kuwait where her module calligraphic designs have been displayed on several buildings. Using Qur’anic verses, poetry and prose, she plays with light and shadow through a maze of letters that draw upon Islamic literature.

Farah Behbehani is a Kuwaiti artist and designer who received her M.A. in Communication Design (Distinction) at Central Saint Martin’s College of Art and Design, London. She is a published author of ‘The Conference of the Birds’, a book based on Farid Ud-Din Attar’s 12th-century Sufi allegorical poem that features a design system exploring the fluency of Arabic calligraphic illustrations. She has also worked on several architectural projects in Kuwait where her module calligraphic designs have been displayed on several buildings. Using Qur’anic verses, poetry and prose, she plays with light and shadow through a maze of letters that draw upon Islamic literature.

Farah Behbehani is a Kuwaiti artist and designer who received her M.A. in Communication Design (Distinction) at Central Saint Martin’s College of Art and Design, London. She is a published author of ‘The Conference of the Birds’, a book based on Farid Ud-Din Attar’s 12th-century Sufi allegorical poem that features a design system exploring the fluency of Arabic calligraphic illustrations. She has also worked on several architectural projects in Kuwait where her module calligraphic designs have been displayed on several buildings. Using Qur’anic verses, poetry and prose, she plays with light and shadow through a maze of letters that draw upon Islamic literature.

Farah Behbehani is a Kuwaiti artist and designer who received her M.A. in Communication Design (Distinction) at Central Saint Martin’s College of Art and Design, London. She is a published author of ‘The Conference of the Birds’, a book based on Farid Ud-Din Attar’s 12th-century Sufi allegorical poem that features a design system exploring the fluency of Arabic calligraphic illustrations. She has also worked on several architectural projects in Kuwait where her module calligraphic designs have been displayed on several buildings. Using Qur’anic verses, poetry and prose, she plays with light and shadow through a maze of letters that draw upon Islamic literature.

Farah Behbehani is a Kuwaiti artist and designer who received her M.A. in Communication Design (Distinction) at Central Saint Martin’s College of Art and Design, London. She is a published author of ‘The Conference of the Birds’, a book based on Farid Ud-Din Attar’s 12th-century Sufi allegorical poem that features a design system exploring the fluency of Arabic calligraphic illustrations. She has also worked on several architectural projects in Kuwait where her module calligraphic designs have been displayed on several buildings. Using Qur’anic verses, poetry and prose, she plays with light and shadow through a maze of letters that draw upon Islamic literature.